It's rare that authors are treated to headlining book tours these days, if there ever was a day when that happened. Especially as an indie, my marketing budget comes out of my own (very small) pocket. So there was no book tour for the first installment in the Dreamslippers Series, and for the second book, the tour was almost entirely virtual, meaning online-only.
While this is all well and good economically speaking, I craved the opportunity to connect with readers in-person. We writers live a solitary existence, going through our days mainly alone, talking only to the cat. So when it's time to turn our book babies out into the world, it's only natural we'd want to interact with others.
By the time I was ready to release the third book in the series, I'd built up enough momentum that in-person opportunities just showed up. Here's a run-down of what became my big, fat book tour for the release of Bound to the Truth.
Nia Jam to Benefit Standing Rock
I dance at a local studio, Embody, which has not only given me a beautiful new practice in Nia but a supportive community as well. Nia features prominently in Bound to the Truth, so when I found out there would be a Nia Jam and fundraiser, I donated five copies of the book, which were awarded at the event by raffle. Separate from the studio itself and hosted entirely by Nia teachers who gave generously of their time and talent, the jam raised more than $1300 for Standing Rock. We danced for two hours straight that night. I couldn't imagine a better way to celebrate the book's release date. It's exactly what Granny Grace would do.
Book 'n' Brush Author Event
Honestly, I can't say enough about how terrifically supportive the community here in Lewis County is. As an indie, I completely struck out trying to get my books into Seattle bookstores, even ones in my own neighborhood I'd frequented for a decade. But the owner and manager at Book 'n' Brush here in Chehalis have been enthusiastic supporters. They carry the whole Dreamslippers Series as well as the poetry collection, and in turn, I drive customers to the store whenever possible. It's a win-win. I felt honored to be included in their recent author event, along with others I've come to know, some of whom also have new books out.
Authors Julie McDonald Zander, Texie Gregory, Kyle Pratt (who wasn't part of the event but stopped in to buy books), and me.
Book 'n' Brush is a gem of a store, anchoring downtown Chehalis. As the name suggests, they sell both art supplies and books, for a perfect mashup of creative pursuits. We had a great write-up in the local paper about the event, and The Chronicle also covered my book's release.
Human Response Network Masquerade Ball
My husband and I, incognito for a cause.
A good amount of what you might call spiritual, humanitarian intention went into the Dreamslippers Series. I've written female-centered narratives peopled with a diverse spectrum of characters. I've tackled homophobia and tried to explore organized religion with humanity and compassion. I shed light on corruption in the art world and illuminated a corner of darkness that is the illegal child pornography industry. And finally, I celebrated sexual liberation and told the stories of those harmed by sexual abuse and repression. All while honoring the importance of plot and pacing, and I hope, without ever coming across as preachy. Everything I write is in service to the story.
I always want to do more than this. I tied sales of Cat in the Flock to a donation to Jubilee Women's Center, a highly effective organization in Seattle that helps women transition out of homelessness and into independence. Here in Chehalis, I support the Human Response Network, which provides advocates for victims of domestic violence and sexual assault. The Masquerade Ball was the organization's first major fundraiser, done in an attempt to ramp up service in response to an overwhelming increase in requests for help.
Copies of the books on auction.
Seattle University Talk
I've presented at Seattle University twice before, and it's always a pleasure to meet creative writing students there. This time, I discussed what it takes to get credits and bylines in three different arenas: books, games, and journalism. I related tales from the trenches in all three and managed not to bore them. While it feels odd to call myself a master of anything, the below slide did garner a few smiles.
The students asked great questions and seemed encouraged by my career transitions from one arena to another, AKA the survivor mentality that has kept me consistently employed. Props to the university bookstore for carrying the Dreamslippers Series in connection with the event, and to the creative writing program for their incredible hospitality.
Seattle U souvenirs: Reflections picked up for free in the campus chapel, and the student lit mag, Fragments.
An Evening with the Authors at the Lewis County Historical Museum
The last in-person event on my schedule for this book launch was the only repeat for me, as I'd attended the same last year. Located in a former train depot, the museum features local history displays and a gift shop. The authors event is a great party and opportunity to meet other writers as well as new readers. Poetry seems to resonate best with this crowd.
So there you have it: This is how we do things in indie land. My family and I hosted Thanksgiving at our house in the midst of this, so I'm hoping December is a bit less eventful? Or not. I really did enjoy myself. Welcome to all the new readers who stopped by my tables, came to the talk, or danced by my side. I'd love to hear from you in the comments below.
Sometimes I like to break from the long-form novel writing and try my hand at shorter pieces. It's also gratifying to see your work published in other venues, and to hopefully pick up new readers. It's been a busy fall, with the launch of Bound to the Truth coinciding with three short publications:
This Action Cannot Be Undone
I had an idea in mind for a while to capture the drama of online connection and disconnection as told solely through Facebook notifications. I finally crafted a short piece, the work taking me longer than you'd think, given the length (poets, I know your struggle). I found a great home for "This Action Cannot Be Undone" at Argot Magazine--check out the cool layout. Since I'm involved in game design, and so many people are annoyed by game requests on FB, I made up a fictitious game called Crash Monkey Bonanza. Hence, the sparklenuts. One of my readers said "The monkeys have gone sparklenuts!" is like the best line ever. (Angel investors, if you'd like to see a proposal for this as a real game, let me know.)
I felt inspired to write about my first seven jobs when the meme swept the Internets a couple of months ago, and Tues/Night was happy to oblige, including me in a roundup of posts on the subject. This one is 100 percent autobiographical, which felt strange and risky to me after writing fiction for so many years, both the novels and all that game writing, but there it is. Believe me, you can't make this @$%& up.
Regular readers of the blog know I'm not a huge fan of National Novel Writing Month. For me, what's needed much more is a National Novel Reading Month. You can see why in the stats I included in my article on NaNo for The Chronicle: In the nearly 20-year history of NaNo, only around 250 novels have been picked up by publishers and made it into print; whereas, last year alone, close to half a million writers participated. But! Wait! I challenged myself to find the validity and goodness in NaNo, and I'm proud of how that comes through in the piece. See for yourself.
Please support these supporters of writing by clicking on the links and commenting on the pieces. Thanks, and have a great day!
Image courtesy of Pixabay. No sparklenuts were harmed in the creation of this post.
Qui and I are old colleagues and friends. I served as a beta reader for his first novel before that was even a thing, and the two of us worked together teaching English at St. Louis Community College. During me recent trip to St. Louis, he told me about his interesting indie project, a poetry collection written in the voice of Inspector Chen, a character he's developed over the course of a multi-book series. Chen trained in poetry, and it informs his thoughts and is a compelling aspect of the series. But this is the first time the poems have been gathered into a collection.
Lisa: Poetry has been an integral part of your Inspector Chen series since the beginning. Why fuse these seemingly disparate genres—poetry and crime—into one?
Qui: To begin with, I love poetry, and I cannot but have my Inspector Chen love it, too. In an age with few people reading poetry, it's just my way of smuggling poetry into crime fiction. But it's also more than that; in classical Chinese novels, there're more poems than in my Inspector Chen novels, usually with a poem at the beginning of a chapter, and another at the end of it, and more with a new character being introduced. And I think it is justified for varying lyrical intensity in the narration--like the use of blank verse in a Shakespearean play, so it sort of carries on the Chinese tradition. But more importantly, at least so for myself, I want Inspector Chen to observe not only from a cop's perspective, but from a poet's as well. The two sometimes come into conflict, which may also make the character more complicated.
Lisa: That’s really fascinating; I didn’t realize Chinese novels integrate the poetic form so much. And yes, I enjoy the two sides of Chen’s brain, poet and inspector. Together they lead him to a sort of third way of doing things that seems to be a negotiation between the two. There’s a lush, philosophical quality to his thoughts that make his perspective such a pleasure. I’m curious: What have readers said about this unique poetry/mystery mashup? I know we’ve talked about the differences between readers in the U.S. vs. your foreign readers. Are those abroad more receptive to reading poetry with their plots?
Qui: I believe it’s something worth trying for a writer to write in the genre, but at the same time, to push the limit of it—if that’s what you call the unique poetry/mystery mashup. From what feedback I’ve gotten from my readers, I think they like it. Yes, we’ve talked about the differences between readers in the U.S. vs. readers elsewhere. For instance, Poems of Inspector Chen have been translated and published by my Italian and French publishers, and during my tour in France in October, one of the most rewarding experiences there was the discussion with 300 high school students in Lyon about that poetry collection, which they studied in class. But I want to add, readers here are also so enthusiastic about the poetry. During a recent conference sponsored by the Ahmanson family in L.A., for instance, the host offered the poetry collection to everybody attending the conference. A very large audience indeed. It’s just her way of supporting poetry and Inspector Chen, which I understand and appreciate.
Lisa: With your background in literary poetry and fiction, what drew you to the detective genre in the first place?
Qui: I've always loved crime fiction. But the way I started writing in the genre was accidental. In the mid-nineties, I went back to China for a visit after staying in the States for seven or eight years. I was so impressed by the changes taking place there that I wanted to try my hand on a novel about the society in transition, but I had not written fiction before, so I had a hard time putting things together. Then the knowledge of the crime fiction genre came to my rescue, so to speak. I reshuffled the contents, and used the genre as a ready-made framework for what I wanted to say. In fact, when I submitted the manuscript for Death of a Red Heroine to my publisher, I was not even that sure it was a real crime novel. But my publisher liked it and wanted me to expand it into a series. So here I am, with book number ten of the Inspector Chen series coming out in French in September. But because of the accidental entry, you may still notice the sociological traces in all these books.
Lisa: Wonderful—that explains so much. It’s interesting to hear you say your original plan was to write about society in transition. You weave this into the plots well, or rather, you deftly use plot as a vehicle for immersing your reader in that transitional society fully. It’s one of my favorite aspects of the series. How has that waxed and waned over the course of the series? You say now with ten there are still traces…
Qui: With so much happening in contemporary Chinese society, I’m capable of putting each Inspector Chen investigation in a specific social, political, cultural backdrop, in which the crime and the investigation are directly or indirectly commenting on it, and also commented on by the society in transition. For instances, Death of a Red Heroine against the backdrop of the split personality imposed on individuals living under an authoritarian regime, Red Mandarin Dress against that of the aftermath of the Cultural Revolution, Don’t Cry, Tai Lake against that of China’s ecological crisis, Enigma of China against that of governmental cyber control, and Shanghai Redemption against that of uncontrollable corruption under the one-party system… And with so much still happening there, Inspector Chen has a long way to go with a sociological perspective. After Becoming Inspector Chen, the manuscript I’m working on also has such a background focus on the lack of an independent legal system in China.
Lisa: Let’s talk about your latest book, a collection of Inspector Chen’s poetry in one volume. It’s a brilliant, yet curious choice. Are there other models for what you’ve done, taking a fictional character and making him the “author” of a book of poetry? What made you decide to do this now?
Qui: For myself, it’s not exactly a curious choice. I don’t think I had any models in mind while compiling the collection, but I benefitted from the “mask” theory elaborated by Yeats. According to him, a poet could speak behind the mask of a character. And I found the experience truly liberating, for I could suddenly write about things familiar, relevant to the inspector, but not necessarily to me. It’s also experimental in exploration of the reversible interrelationship among the creating and the created in the process of fiction writing.
Lisa: I’m also intrigued by your decision to self-publish this book of poetry. What has been your experience so far, as someone whose work has always been traditionally published—first with SoHo Press and now with St. Martin’s—stepping out into the wilds of publishing on your own?
Qui:The Poems of Inspector Chen was published traditionally in France and Italy. But I’m quite aware of today’s difficult poetry market. For me, it’s a labor of love, but not necessarily so for every publisher, which I understand. About a year ago, I happened to talk to a friend about it, and he helped the project greatly with his expertise in the field of self-publishing. It’s really to his credit that the poetry collection came out here like that.
For this installment of "What's the Motive?" suspense author Chris Patchell argues that motivation isn't enough when it comes to developing a sympathetic but compelling character. She's developed a formula to illustrate her writing approach.
People are fascinating puzzles to solve. Why do people do the things they do? What motivates them? A dash of this, and you have a local hero. A dash of that, and you have a serial killer. The darker side of human nature has always sparked my curiosity, and maybe that’s why I write suspense.
Understanding a person’s motivations is a huge part of figuring out who they are. Having spent the majority of my professional life managing teams, I was always amazed to find that some of my top performers were driven by fear—the fear of rejection, the fear of failure. Fear can be a healthy motivator—it can compel us to be more prepared and work harder toward our goals, but fear can also inhibit or prevent us from getting what we want in life.
As an author, I’ve never liked my heroes bright and shiny, so in my latest suspense novel, In the Dark, I created an unlikely hero in Marissa Rooney. A single mother of two teenage girls with three failed marriages behind her, Marissa has a checkered past filled with menial jobs that allowed her just enough money to scrape by. When her daughter goes missing, Marissa’s motivation is clear. As parents, we’re instinctively hard-wired to want to protect our kids.
In crafting Marissa, though, I dug deeper into her character to expose not just her motivations, but her past experiences, her fears, and how they factored into her behavior. Motivation on its own is not enough. Two people may want the same thing, but they may go about getting it in very different ways. Let’s say two people want a new car. It’s expensive, and neither of these folks have the money. One person works hard and saves enough for a down payment while another person steals the car. Why?
Motivation + Experiences = Expected Behavior
Past experiences are the secret sauce in defining behavior. Some people have been taught that through hard work they can achieve their goals. Some people are taught to find short cuts. Others quit because their past failures have taught them that they can’t win. Some people don’t try at all.
As many of us do, Marissa equates the events of her life with who she is. Her past failures have instilled her with a whole host of fears. She’s afraid that she’s not good enough, smart enough, that all of her relationships are doomed. But most of all, she’s afraid that she will lose the only two good things she has in her life. Her daughters.
These fears drive Marissa throughout the story and cause her to make some interesting, and in some cases, awful choices. But the need to find her daughter is so powerful, it imbues her with an iron-clad will and the ability to withstand an enormous amount of pain in overcoming hellish obstacles to get what she wants.
In the end, Marissa finds what many of us find in our own lives when we face difficult, sometimes crippling circumstances: that she is stronger than she ever believed.
If motivation is the engine that drives your characters through the heart of your story, crafting a set of powerful formative experiences is the chassis that sets the reader up for a deliciously bumpy ride.
Chris Patchell is the bestselling author of In the Dark and the Indie Reader Discovery Award-winning novel Deadly Lies. A tech worker by day and a writer by night, she pens gritty suspense novels set in the Pacific Northwest.
This Friday, Bound to the Truth releases across all ebook platforms and in print with select retailers. Consider this your invitation to join the launch party--either in person or virtually.
In this third book in the Dreamslippers Series, Cat and Grace aren't sure they believe their client's claims about who killed up-and-coming Seattle architect Nina Howell. Did she really fall under the spell of a domineering, conservative talk show host? Bound to the Truth picks up with all three dreamslippers living under one roof in the Emerald City--and trying to date. The sexy theme gets readers up close and personal with Seattle's at times wacky sex-positive scene.
Yeah, that's right. On release day, I'm attending a Nia Jam at Embody Studio in Centralia, where we'll dance the routine Soul. This holistic dance practice figures prominently in Bound to the Truth, and in honor of that, I'm giving away five signed print copies at the event. If you've never danced Nia before, never fear! It's designed so that anyone at any level can drop into a class anytime. For more information, see the event Facebook page. Proceeds benefit the Standing Rock Donation Fund.
Come to the Book Signing
The day after the book's worldwide release, I'll be in person to chat and sign books along with five other local authors at Book 'n' Brush in Chehalis, Wash., located at the mid-way point between Portland and Seattle. That's two hours from either city.
Our marketing budget is small and based on word-of-mouth, which is the best way to market anyway. Here are a couple of ready-made social media posts you can copy and paste to help spread the word. Of course, writing something in your own voice is always best, but we like the easy-button, too.
I recommend the Dreamslippers Series by @lisa_brunette - book 3 releases this week - all books #99cents till then! http://tinyurl.com/oqmyvwy
Other Social Media
Post the book covers to your Pinterest page, Instagram a photo of a Dreamslippers book, share blog posts to Google+ and elsewhere. Feel free to tag or hashtag me, too. I live for the online connection.
Review the Books
It only takes a few minutes to post a book review online, but the support this provides an author could last a long time. Reviews are absolutely crucial to a book's success, and they make authors feel good, too. After all, the reason we go through all the trouble of publishing is to share our words with readers. When you review a book, we know we've reached you.
All it takes is a star rating and a one- or two-sentence impression. If you don't like the books, please email me your thoughts. I'm always eager to improve and gobble up every bit of feedback.
Hit the Buy Button
Seriously, 99 cents is a steal for 5-star, full-novel-length reads. All three ebooks are priced this low in honor of the third book's release, so get 'em while they're hot! You can give ebooks as gifts, too. The first two books are available in print, ebook, and audiobook, and you can pre-order the third on ebook to lock in the 99-cent deal. Print is also available, with audiobook coming soon.
UPDATE: This sale has been extended through the weekend!
On November 11, we release the third book in the Dreamslippers Series, Bound to the Truth. In celebration of the completed trilogy, EVERY BOOK IN THE SERIES is now available for only 99 cents on ebook. Buy and read the first two books now, and pre-order the third to lock in the 99-cent deal. It will be magically delivered to your device on the day of publication. Pricing lasts only until that date - Nov 11.
What readers are saying about the series…
"Clearly author Lisa Brunette has a genuine flair for deftly crafting a superbly entertaining mystery/suspense thriller.” Midwest Book Review
"The launch of an intriguing female detective series... A mystery with an unusual twist and quirky settings; an enjoyable surprise for fans of the genre." Kirkus Reviews
More 5 out of 5-star reviews…
"Lisa Brunette’s FRAMED AND BURNING is a brilliant, suspenseful whodunit in its own merit, full of twists and turns, pursued by a unique pair of private investigators—Cat and her grandmother Grace, in a character-as-well-as-plot-driven ride pulsating with the crisis not only in the murder investigation, but also in their own lives.” Qiu Xiaolong, Author of Shanghai Redemption, a Wall Street Journal Best Book of 2015
"Gripping, sexy and profound, CAT IN THE FLOCK is an excellent first novel. Lisa Brunette is an author to enjoy now and watch for the future.” Jon Talton, author of the David Mapstone Mysteries, the Cincinnati Casebooks and the thriller Deadline Man
Overview of BOUND TO THE TRUTH…
What if you could ‘slip’ into the dreams of a killer? This family of PIs can. They use their psychic dream ability to solve crimes, and that isn’t easy. Especially when your client thinks she knows who the killer is, but you don’t believe her.
Did Nina Howell really fall under the spell of a domineering, conservative talk show host--as her wife claims?'
More praise for the series…
"A little Sue Grafton and a dose of Janet Evanovich… is just the right recipe for a promising new series.” Rev. Eric O'del
"Already hooked, this reader intends further sojourns in Cat's dreamslipping world. Highly recommended." Frances Carden, Readers Lane
For readers who enjoy strong female leads, quirky, well-developed characters, and a dash of dating drama with their mystery. Fans of J.A. Jance, Mary Daheim, and Jayne Ann Krentz will love Cat and “Amazing” Grace!
An award-winning novelist…
WINNER of the indieBRAG medallion Finalist for the Nancy Pearl Book Award Nominated for a RONE Award Finalist for the Faulkner-Wisdom Award
BUT I'M A LUDDITE...
Ebooks not your thing? Never fear. The first two books are available in print through Amazon and Barnes & Noble and audiobook through iTunes and Amazon. The third novel is also available in print NOW, with an audiobook version coming soon. Complete buy links here.
In case you missed it, the third book in the Dreamslippers Series has a sexy theme. Cat and Granny Grace must find out who killed up-and-coming architect Nina Howell. Her wife is convinced a libertarian talk show host is the murderer. Following the clues takes the dreamslippers into what in another novel might be labeled Seattle's "perverted dungeon" or "dark underbelly."
But not in Bound to the Truth. After a decade in Seattle and a lifetime studying human behavior, my position is that there isn't anything inherently dark or perverted about sex. And by sex, I mean the activity engaged in between two consenting adults that may or may not have anything to do with procreation but could include any number of "kinky" behaviors. Spoiler alert: Through the course of the novel, Cat explores a shop selling bondage gear, she and her grandmother go undercover in a sex club, and several characters confer on lingerie and sex toys.
Readers of the series will know this is not shocking new territory for me. As I've said on social media, book one was about religion and sex, book two art and sex, and book three politics and sex. Septuagenarian heroine Amazing Grace is sexually active and forthright about her trysts; twentysomething Cat is exploring her sexuality as a new adult. These women own their desires and act on them, apologizing to exactly no one.
HUGE CAVEAT: The sex scenes happen mostly off-screen. This is NOT erotica. This is NOT porn. Sorry to disappoint you. Now, continuing on with the discussion...
Readers of the blog know I've been highly critical of Fifty Shades of Grey, which utterly fails because rather than challenging its audience in any way, it allows readers/viewers to preserve their judgmental prejudices against the kink world and the presumed "broken" people who inhabit it. They can naughtily dip a toe into the world but then ultimately reject it, just as the vanilla protagonist does. With Bound to the Truth, I wanted to treat kinky people with the respect they deserve, rendering a realism that I hope not only transcends cliché and judgment but results in fully developed characters and concerns.
While Fifty Shades served as a sort of negative inspiration, and my writing on this book started as a reaction against it, here's a peep show of my research sources for this book, all positive inspirations.
News flash to any Emerald City resident who hasn't discovered this yet, but when Cat observes in Bound to the Truth that "Seattleites as a population must quietly be getting their freak on in the bedroom 24/7," that comes from first-hand experience. Enter the city's decidedly online dating scene for two seconds, yes, even as a middle-aged divorcée as I was, and you're immediately barraged with a cornucopia of kinky come-ons. After thirteen years straight of committed monogamy, it was eye-opening, to say the least. If you have single friends who are also dating, you compare notes and see the same.
I owe a debt of gratitude to Savage Love syndicated columnist Dan Savage, who not only writes intelligently, compassionately, and wittily on the subject of sex but also launched a brilliantly curated alternative porn film fest. I've attended a couple of Hump Fests, which seemed to both sell out, and I highly recommend them.
When I wrote as a freelancer for several Seattle publications, I had the opportunity to interview University of Washington sex expert Dr. Pepper Schwartz. A well-respected academic with a long list of accomplishments, the occasion for my interview with her was the publication of her tell-all memoir, which chronicled her experiences entering the dating pool post-50. As you can see from my choice of subject matter and character, Dr. Pepper had an influence. The piece was one of my most popular, too. Originally published in Seattle Woman magazine, it was linked to by Crosscut, where it was in the top ten for traffic that year.
While I never joined a sex club, I did talk with people who have, and I also toured The Armory in San Francisco. You might recognize the signature building in the image at the top of this post. The Armory is a sort of castle of kink. Tours are open to the public, and knowledgeable guides wearing nothing sexier than street clothes will lead you through many a porn set. The building itself is worth the price of admission even if you profess a distaste for porn; the Moorish castle was completed in 1914, with much of the stone staircases, wainscoting, and impressive corridors intact, not to mention access to an underground cave, Mission Creek running below the structure.
The drag and burlesque communities deserve credit for shaping my thinking on sex. In Seattle, Portland, and San Francisco, you can catch first-rate live shows in which respectful, supportive audiences embrace a diverse spectrum of lovely people on stage in various states of dress, dancing in a variety of suggestive ways. Most notably for me is Seattle's Nerdlesque. In fact, I'm still pondering my affection for and confusion over "burlesque Carl Sagan." Affection because he was one of my childhood nerd crushes. Confusion because I'm not attracted to women, but this gal was a dead ringer for my beloved astronomer, so...
I'd be remiss if I didn't mention Laura Antoniou's mystery set in the middle of a kink convention, The Killer Wore Leather. And Seattle's sex-positive culture in general for its art shows, film screenings, articles, workshops, and overall work toward making sex something that can be talked about without stigma, shame, and danger. If we could free ourselves from those chains, then the ones some people put on just for fun become simply that.
I hope you enjoy Bound to the Truth. You can pre-order it, and Amazon will magically deliver it to your Kindle on the day of release. Or Barnes & Noble will mystically transport it to your Nook. Or, or, or...
Now tell me what you think of all this in the comments! What turns you on? I mean in terms of literature, people.